Sunday, 15 March 2015

BDM125_Step Outline

Step Outline
“Ido”
By Madilyn Davidson

INT. HOUSE – MIDDAY

The scene opens with a view of Ido’s bed, a rough blanket thrown over it and pans to the left to reveal a dusty Lyre and broken pots lying on the ground. Ido, a weathered old man is sitting at his desk elbows up and face in his hands, a half finished kantharos vase and some bread crumbs are on the desk in front of him. There is a loud bang and the door is swung open a large man with a look of authority and importance fills the doorway. He announces that he would like a vase to be made for his symposium later in the week and if Ido does a good job he will be allowed to attend the event. Ido asks what kind of vase he requires and the patrician points at the kantharos.

INT. HOUSE – LATE NIGHT

Flashback of a young woman concentrating on painting a vase, the same vase that now sits on Ido’s desk

INT. HOUSE – MIDDAY

A close-up of the bread crumbs zooming out to Ido who agrees to make the vase for the patrician and we see the hurt in his eyes from remembering his past.

INT. HOUSE – AFTERNOON

Ido is at the wheel trying to make the vase, however, each time he forms a shape it collapses in on itself.

EXT. HOUSE – NIGHT

Wide shot of house with the flicker of a candle in the window to show Ido was up all night

INT. HOUSE – MORNING

The patrician comes back but is not pleased with Ido’s vase; it is crooked and badly painted. Ido hangs his head in shame and begs for another chance. The Patrician allows it and dismiss’ him

INT. HOUSE – AFTERNOON

Ido is back at the wheel his eyes are closed and there is a lump of clay in front of him.

INT. HOUSE – AFTERNOON

Flashback, Ido and the young woman are sitting at the wheel, she is trying to make a vase. Ido smiles and puts his hands over hers and together they form a vase shape

INT. HOUSE – EVENING

Close-up of Ido smiling, the view zooms out to reveal a finished vase on the wheel

INT. SYMPOSIUM – EVENING


The symposium is laid out, Ido lies on the end couch and the vase is mounted on a pedestal. The patrician stands before it in the same pose depicted on the vase. He makes a speech about himself and toasts his guests using the kantharos. After finishing the wine the patrician cries out in gusto and shatters the vase on the ground right in front of Ido. The scene ends on Ido’s face he closes his eyes and smiles.

Friday, 13 March 2015

BDM126 Ido development

I originally had Ido at four heads high, however, i could not get the body looking how I imagined him so tried to develop him three heads high. I like this body shape as it is toned like a working class man would be and his shoulders slumping also suggest he is over worked. I have also changed his eyes again which portrays his age better

Wednesday, 4 March 2015

BDM126 Emotion Sheet

First Emotion Sheet
- IDO 

BDM125 Treatment

Working Title: Ido
By Madilyn Davidson
Logline: “A potter’s art, a potters life, a patrician's will is a potter’s strife.”

Being a potter was once a revered position in Athens, as plebeians and patricians alike marveled over their art and skill. However, times change and the select few are replaced by hundreds. A lonesome potter named Ido trained by Klietias himself can attest to these hardships. Finding food to eat each day becomes an underlying focus. Until one day he is approached by a notable patrician in the market for a vase like no other. The patrician requests a Katharos vase to be made in his image which throws Ido back to a past that he was yearning to forget.

A master potter at heart, he is unable to turn down the offer. Ido begins to make the vase, however he is emotionally disconnected and cannot find the skills he spent a lifetime perfecting. He stays awake all night and eventually turns out an acceptable Katharos. When the patrician returns he is disappointed in Ido for he had heard tales of his skill as a potter, he turns away in disgust and Ido is left grovelling at his knees for another chance. This time Ido must confront his past in order to move forward. We are sent back in time to where Ido is crafting a kantaros vase with his wife, he is teaching her the techniques and as Ido smiles we are back in the present, with a completed vase before him on the wheel.

Ido is invited to attend the patrician’s symposium. As he enters the vase sits on a mantle in all its glory and splendour. The patrician makes a wonderful speech about his own greatness and toasts his guests with the kantaros vase; he finishes the wine and throws the vase to the ground. It shatters into a thousand pieces. Ido’s face is blank apart from the twitch of an eye. 

BDM126 Story Worksheet

Genre:
Drama
Protagonist:
Ido- Greek Potter
Katharos Vase- artist unknown
Goal:
Make a Amphora Kantharos Vase for a notable patrician (name to be decided)
Why?
He needs money for food, it is also an emotional journey for him, he has not made a Kantharos in some time
Antagonist:
The Patrician and Idos own self-doubts
Antagonist Goal:
The Patrician wants the best vase ever made to demonstarte his wealth and superiority over others in his class
Course of action for antagonist:
He will be a difficult customer for Ido, never settling for anything substandard
Why?
As a Greek patrician it was common for there to be a competition in demonstrating their power and importance 
What does Protagonist want? 
Ido just wants to create vases, this is his life and he loves his craft.
What does he need to learn? Conflict? 
He must overcome the emotional ties attached to the Kantharos vase. To the patrician it is just a vase to demonstrate his own wealth, but for Ido it will signify an important journey of acceptance
What will the protagonist do? 
He will make a perfect vase


Domestic Architecture- Argilos

Story Beat Sheet

As outlined on Blake Snyder's webpage

Working Title: Ido 
Genre: Historical Drama 
Date: 4/3/15

Opening Image:
Ido's house, small bed and a collection of pots. A dusty lyre sits in the corner of a messy desk. There is one slice of bread left and a few crumbs scattered.
Theme Stated: 

Set-up:
Ido eats the last piece of bread, it is hard and stale like it was sitting for a long time
Catalyst:
The Patrician approaches Ido to dicuss the making of a new vase
Debate:
He points to a half made Kantharos vase that is sitting on Ido's desk 
Act-two Plot Point:
Ido stares at the vase distantly and his stomach grumbles, he accepts the Patricians terms and agrees to make him a Kantharos vase 
B-Story:
Flashback of a women painting the half finished Kantharos 
Fun and Games:
Ido begins to make the vase, he has trouble forming the shape on his wheel
Midpoint: 
He finally makes an acceptable vase and spends the night painting it
Bad Guys close in:
The patrician returns but is not satisfied, he wants to change the pose on the vase and to make it bigger
All is Lost: 
Ido begins again,but with even less motivation he cannot shake the thought of his wife from his mind
Dark Night of the Soul:
He is up at night again and cannot form the vase 
Act Three Plot Point: 
We have another flashback (Ghost style) of Ido and his wife forming the vase together on the wheel. he steels his resolve and begins to work 
Ghost- Directed by Jerry Zucker
Finale: 
Ido is the guest of honour at the patricians symposium (a very rare occurrence) The vase is on a pestle and patrician makes a toast to himself. He downs the wine from Ido's vase and in a moment of gusto smashes the vase on the ground. Shattering it to pieces.
Final Image:
Ido's face is calm, his eye twitches and the credits role.   

Tuesday, 3 March 2015

Animation Study- Monsterbox





Monsterbox (2012) , France
Directors: Ludo Gavillet, Colin Jean-saunier, Lucas Hudson, Derya Kocaurlu
Studio: Bellecour Ecoles D'Art
Awards: Nominated for Golden Slipper- Best Animation Film


The short film Monsterbox is a charming story about the friendship between an older man and a young girl who find comfort in each others loneliness. This animation appealed to me as the use of emotions to portray the characters feeling was inspiring. Without dialogue the mood was expressed through the change in music and the character developments. In the opening scene of 'Monsterbox' we meet the two main characters, an old man who owns a garden shop and a young girl with an unusual pet. The old man seems rough to begin with but as we watch he begins to open up as he finds joy in making the little girl smile. Act one shows us the beauty of their friendship as both characters treasure each others company and the bonsai tree is introduced as an important part of the mans life. As the animation continues the mans bonsai blooms much like the friendship. The climax of the film is when the old man realizes that his new friend is more important to him then a plant, he found more beauty in the companionship with the little girl and making her happy then he did with the bonsai tree he had been tending for a long time. 'Monsterbox' is a story that connects well with the audience, teaching us an important life lesson in the process.

BDM125 - Character Bio

Full Name: Ido 
Meaning: work/labour
Birth-date: 540 BC
Astrological sign: Capricorn
 Character strengths

  • Practical 
  • Cautious
  • Wise
 Character Weaknesses

  • Pessimistic
  • Shy
  • Frugal 
Appearance

Age: 47 years
Appear: 70 years
eye colour: Green
Weight: 70kg    Height: 4 heads high
Build: Lanky/thin with defined muscles
Skin Tone: Sun damaged
Type: weathered and wrinkly
Shape of face: Long
Distinguishing Marks: nil
Predominant feature: Large nose
Hair colour: washed out grey/white
                     Bald on top
                     Curly hair and long beard
Health: slightly underfed
Physical Disabilities: uses a walking stick/ cane

Favourites

Colour: Red 
Least favourite colour: does not have one, he is an artist and is fascinated by all colours
Favourite Music: The Lyre, which his wife used to play
Food: Bread
Expressions:
Expletives: He is a quiet man who rarely shows his frustration
Transportation: walking

Habits

Smokes: no
Drinks: Wine
Hobbies: Painting, pottery

Background

Home: Athens
Childhood: Raised by Kleitias the famous 'Francois Vase' Painter
First Memory: a small lost child on the streets of Athens, he was found by Kleitias
Important Event that he still remembers: sitting up at night time painting vases with Kleitias by candlelight
Francois Vase- Kleitias 570BC
Education: Basic education from a local pedagogue, nothing higher as he was from a poor family, left school at 12. Kleitias taught him the craft
Religion: The Muses and Athena/ goddess of crafts and wisdom
Finances: Poor

Family

Mother: Unknown       Father: Unknown
Siblings: nil
Kleitias: Father figure who raised Ido from a young age
Children: Two
Ido has two sons to his wife who past away five years ago from an illness, his sons Tobi/Tobius and Aeneas were never interested in pottery and Ido found it hard to connect with them after his wife died. Tobi left for the army at 17 and was killed three weeks into training. Aeneas traveled to Thebes to become a follower of Amon and never saw his father again.