Monday, 30 March 2015
Friday, 27 March 2015
Thursday, 26 March 2015
BDM125 Final Script
IDO
By
Madilyn Davidson
INT. HOUSE - MIDDAY
The room
is dark and dusty, the old potter, IDO, sits at his desk, face in hand staring
at a half finished Kantharos vase.
Bread
crumbs cover his desk from a previous meal, the floor is strewn with broken
pots and his bed is unmade and dishevelled.
There is
a loud bang as the door swings open, a large wealthy patrician, AMOS, fills the
doorway.
AMOS
Ido! I
need a vase
IDO
What kind?
AMOS scans
the room his eyes settling on the Kantharos vase and he points with authority
AMOS
That
vase. But with me on
the front
eh?
AMOS
strikes an exaggerated pose IDO’s eyes are distant as he stares through the
vase in front of him
AMOS
If you
can’t I’ll find a
potter to
live here who can
IDO
(Shakes and nods his head)
No, I-i-i
can do it
IDO
closes his eyes, the unfinished Kantharos vase sits on the desk
FADE TO WHITE:
INT. HOUSE – LATE NIGHT
The Kantharos
is portrayed in flickering candle light and a young women, ELLISA, concentrates
intensely on painting the vase.
FADE TO WHITE:
INT. HOUSE – MIDDAY
IDO is in
the same seat as ELISSA, tears form in his eyes
SLAM CUT TO:
IN. HOUSE – AFTERNOON
IDO sits
at the potter’s wheel, he begins to form a shape but the vase collapses in on
itself
His fist
comes down on the wheel sending wet clay out of the shot.
FADE TO BLACK:
EXT. HOUSE – NIGHT
IDO is outlined
through the window of his house, a candle flickers on his face as he sits alone
at the wheel
SLAM CUT TO:
INT. HOUSE – MORNING
AMOS
comes through the door and IDO is on the floor, his head hung in shame as he
holds a crooked mess up towards AMOS
AMOS
You’re
spose to be the best!
This is
all you have for me?
IDO
S-sorry, please I beg you,
give me
another chance!
AMOS HUMPHS
and turns his back leaving the room
AMOS
One more
chance
FADE TO BLACK:
INT. HOUSE- AFTERNOON
IDO is at
the wheel again with a lump of clay in front of him. His eyes are closed.
FADE TO WHITE:
INT. HOUSE – AFTERNOON
INT. HOUSE – AFTERNOON
ELLISA
sits at the wheel with IDO behind her, clay covers her face and sticks to her
hair.
She
begins to form a vase but it collapses in on itself and she laughs. IDO smiles
behind her and reaches round.
Their
hands together form a shape on the wheel
FADE TO WHITE:
INT. HOUSE – EVENING
IDO
smiles and admires the finished vase on the wheel.
FADE TO
BLACK:
INT.
SYMPOSIUM – EVENING
Lavish curtains cover the walls. A platter of grapes and bread
is spread across a table and we can hear AMOS talking as the Kantharos comes
into view, silhouette of AMOS is painted on the side
AMOS
… and that
was how I defeated
the Great
Tobius, saving each
of your
miserable lives! So in
my honour I
toast that we may
continue to
live as kings!
AMOS’s hand reaches for the vase and grasps the handles. He
holds the vase to his lips and drinks its contents, wine slipping down his
chins.
Finishing the wine AMOS lets out a sigh and throws the vase.
It falls in slow motion to the ground and shatters into pieces.
IDO is beside it broken pieces in his hands.
IDO’s face is shocked and distraught, until one piece stands out
to him, it still holds the silhouette of AMOS.
We end on IDO’s face as he smiles to himself and closes his
eyes.
Tuesday, 24 March 2015
Tuesday, 17 March 2015
BDM125_Step Outline Remastered
Step
Outline
“Ido”
By Madilyn Davidson
FADE IN:
INT. HOUSE – MIDDAY
The old weathered potter, IDO, is sitting at
his desk, face in hand staring at a half finished kantharos. There are bread crumbs all over his desk from his unfinished
lunch, the floor is strewn with broken pots and his bed is unmade and
dishevelled.
There is a loud bang at the door, it swings
open, a large wealthy patrician, AMOS, fills the doorway. He demands IDO make a new kantharos identical to that on his
desk for the symposium or he will be banished.
FADE TO WHITE:
INT. HOUSE – LATE NIGHT
A beautiful young woman is painting a kantharos, the very same one from IDO’s desk.
FADE TO BLACK:
INT. HOUSE – MIDDAY
IDO is staring at the kantharos, tears form in his eyes.
INT. HOUSE – AFTERNOON
IDO sits at his potter’s wheel, each time he
starts to form the shape of the vase it collapses in on itself,
he slams his fist into the clay sending bits everywhere.
FADE TO BLACK:
EXT. HOUSE – NIGHT
IDO is still at his wheel through the window,
the candle flickers on his troubled face.
FADE TO BLACK:
INT.
HOUSE – MORNING
AMOS arrives to
see his vase, IDO presents a crooked mess and hangs his head in shame begging
for another chance to prove himself. AMOS agrees but
scowls as he leaves.
INT. HOUSE – AFTERNOON
IDO returns to the wheel, his eyes are closed
his clay lay in front of him.
FADE TO WHITE:
INT. HOUSE – AFTERNOON
IDO and ELLISA are
sitting at the wheel, she is trying to make a vase and laughs as it fails. Ido smiles and puts his hands
over hers and together they form a vase shape.
FADE TO BLACK:
INT. HOUSE – EVENING
IDO smiles and admires the finished vase on
the wheel.
FADE TO BLACK:
INT.
SYMPOSIUM – EVENING
IDO now lounges at the
symposium, lavish drapery surrounds him, AMOS stands beside the vase placed on
a pedestal. He is in the middle of a speech about himself. Toasting the room he
takes up the vase and finishes the wine, subsequently smashing the vase on the
ground into a thousand pieces. IDO is shocked and first begins to scramble for
the pieces. He picks up a large piece with the outline of AMOS still visible. IDO
smiles to himself and closes his eyes.
FADE TO BLACK
BDM125 Five Stages of Grief
Sunday, 15 March 2015
BDM125_Step Outline
Step Outline
“Ido”
By Madilyn Davidson
INT. HOUSE – MIDDAY
The scene opens with
a view of Ido’s bed, a rough blanket thrown over it and pans to the left to
reveal a dusty Lyre and broken pots lying on the ground. Ido, a weathered old
man is sitting at his desk elbows up and face in his hands, a half finished
kantharos vase and some bread crumbs are on the desk in front of him. There is
a loud bang and the door is swung open a large man with a look of authority and
importance fills the doorway. He announces that he would like a vase to be made
for his symposium later in the week and if Ido does a good job he will be
allowed to attend the event. Ido asks what kind of vase he requires and the patrician
points at the kantharos.
INT. HOUSE – LATE
NIGHT
Flashback of a young
woman concentrating on painting a vase, the same vase that now sits on Ido’s
desk
INT. HOUSE – MIDDAY
A close-up of the
bread crumbs zooming out to Ido who agrees to make the vase for the patrician
and we see the hurt in his eyes from remembering his past.
INT. HOUSE –
AFTERNOON
Ido is at the wheel
trying to make the vase, however, each time he forms a shape it collapses in on
itself.
EXT. HOUSE – NIGHT
Wide shot of house
with the flicker of a candle in the window to show Ido was up all night
INT. HOUSE – MORNING
The patrician comes
back but is not pleased with Ido’s vase; it is crooked and badly painted. Ido
hangs his head in shame and begs for another chance. The Patrician allows it
and dismiss’ him
INT. HOUSE –
AFTERNOON
Ido is back at the
wheel his eyes are closed and there is a lump of clay in front of him.
INT. HOUSE –
AFTERNOON
Flashback, Ido and
the young woman are sitting at the wheel, she is trying to make a vase. Ido
smiles and puts his hands over hers and together they form a vase shape
INT. HOUSE – EVENING
Close-up of Ido
smiling, the view zooms out to reveal a finished vase on the wheel
INT. SYMPOSIUM –
EVENING
The symposium is laid
out, Ido lies on the end couch and the vase is mounted on a pedestal. The
patrician stands before it in the same pose depicted on the vase. He makes a
speech about himself and toasts his guests using the kantharos. After finishing
the wine the patrician cries out in gusto and shatters the vase on the ground
right in front of Ido. The scene ends on Ido’s face he closes his eyes and
smiles.
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